Content Posted in 2026
About Witch Hunt: Feminist and Political Agency in Contemporary Art, Rana Sumerler
Accessibility vs Exclusivity: Examining the Barriers to Entry for Early Career Professionals Entering the Commercial Art Market, Cameron Arthur
Age of Becoming, Ella Westman
AI Art Valuation Company: ArtMetric, Zhuochen Tu
A Matter of Lighting: An Exploration of Erotic, Fashion & Glamour Photography in the Auction Market through Icons of Glamour and Style: The Constantiner Collection, Basha Yonit Shapiro
Analysing India’s Luxury Shoe Supply Chain Business Plan for LACE, a B2B Leather Sourcing Platform, Muskan Manwani
Analysis of the Commercial and Artistic Trajectories of Top Chinese Artists Represented by U.S. Blue-Chip Galleries, Nick Zuwei Cheng
An Imperial Pivot: How the Qing Court Shaped the Kapāla and its Global Value, Haiyi Wang
ArtAtlas, Saad Chadli and Shammiel Fleischer-Amoros
Art & Luxury: Perceiving Value: How Generation Z Interprets Cultural and Social Meaning in Luxury and Art Collaborations, Michele Saad
Arts Cures: A Business Plan for Integrating Art as a Biometric Tool for Sensory Wellbeing in Commercial Ecosystems, Xinuo Zhang
Artstake: A new paradigm for mid-market auction success, Simone Alberto Rolle
Artwork or It-Bag? How Arts-Luxury Collaborations Impact Artist Cultural Visibility, Edwina Keary
Athlete as the New Face of Luxury: The Case of Jannik Sinner and Gucci, Rania Tazi Hemida
Aura For Sale?: Art Merchandise and the Totalizing Culture of Reproduction, Lily Paternoster
A Visual Analysis of the Work of Anna Weyant for Art Historical Precedent, Jordan Arnold
Between Aesthetics and Access: The Social Barrier in the Global Art Scene, Juliette Chappey
Between War and Politics: International Relations and the thoughts of Hannah Arendt, Ágnes Berecz
Beyond Recognition: The Surrealist Strategy of Face Concealment in the Portraits of René Magritte and Ewa Juszkiewicz, Darina Kravchenko Eldridge
Beyond Transit: A New Model for Curated Art Spaces in International Airports: A Case Study and Business Plan for Gate Gallery, Yoshie Ishikawa
Bridging Culture and Capital: The Financialisation of Middle-Tier Contemporary Art in Emerging Markets, Ned Carter
Bringing Life Back to Napa Valley: How to Increase Engagement in Napa Valley Luxury Wineries for Generations X and Millennials, Tatiana Hansen Zakin
Build a global art and jewelry auction ecosystem that integrates offline and online, Xiaochun Cathy Liu
Calculated Allure: Persuasion and Dramaturgy at Art Auction, Jacqueline Vargas
Can a Curator Influence Their Nation’s Art Market Value? Adriano Pedrosa, the 60th Venice Biennale, and the Global Repositioning of Brazilian Art, Maria Joana Ventosa
Can art function as a financial asset class? Conditions, risks, and emerging solutions, Aurelia Labbé
Caribbean Sensibility, Olivia A. Davis
Censorship in the Indian Art Market: Legal, Institutional, and Commercial Implications, Kritika Salhotra
Changing Art Market Trends and Collector Preferences in India’s Metropolitan Hubs amid Economic Growth, Gauri Minocha
Constructing Minimalism: Canon Formation, Exclusion, and the Afterlives of an Aesthetic, Lucy Ewert
Contemporary Art and Cultural Identity in Post-Soviet Kazakhstan, Dinara Saduakassova
Corporate Patronage in Art and Education: A Case Study of Bloomberg's Interventions, Xiaojun Tian
Crawling as a Gesture to Life Beyond the Fall: Vulnerability, Care, and the Imagination of Community in the Work of William Pope.L, Laia M. Llobera
Creativity, Innovation and Patronage: A Catalog of Rockingham Designs at the Victoria and Albert Museum, Stella Koslowski
Culture and Money: The Inherent Dichotomy in Fine Art, Silvia Fernandez
Curating Identity: Genre Painting and the Long History of Visual Self-Presentation: A Study of Johannes Vermeer, Norman Rockwell, and Contemporary Culture, Zoë Anita Billick
Curating the Other: Colonial Genealogies, Institutional Logics, and Market Classification in the Construction of 'Latin American Art', Mariana Duque Mordecai
De Cort Advisory Business plan, Jessica De Cort
Demystifying Dominican Artist Yoryi Morel and His Approach to Painting, Zoila Neris Sosa Veras
Earth as Medium: Land Art and the Human Experience of Connection to Nature, Charlotte Johnson-Watts
Echoes of a Country in Question: Visualizing and Constructing Lebanese Identity Through Contemporary Artistic Practice at the Venice Biennale, Anoush Manoukian
Emotional Localisation in Luxury Branding: Cultural Adaptation of Western Heritage Narratives for Chinese Consumers, Yuchen Chen
Entrepreneuring Otherwise: Reimagining Value in Art Business at Ɛdan, the ANO Institute of Arts and Knowledge, and Nubuke Wa, Chantel Thompson
Evolving Motives: How Art Collecting Has Changed Across Generations, Giovanni Mazzoleni
Existential Reckonings: COVID-19’s Impact on Women Artists in New York and The Art Market During a Time of Crisis, Elizabeth Glynn
Female Ultra-Contemporary Artists: Rise and Career Trajectories, Alexie Talabard
From Bluechip to Beatlemania: Evaluating the Icon Premium in Celebrity Memorabilia Sales, Halloran Purcell
From Canvas to Crude: Volatility and Value of Andy Warhol Prints, Arseniy Cassidy
From Hand to Heart: Investigating the Future of Luxury Through Craftsmanship, A Qualitative Research, Yiyuan Hu
From It-Girls to Obscurity: What Happened to the Stettheimer Sisters?, Catherine Pierce Higgins
From Monasteries to the Market: The Legal and Spiritual Economies of Himalayan Art in China, Hengshi An
From Otherness to Agency: Reframing Eurocentric and Orientalist Representations in Contemporary Middle Eastern Art, Violette Wolter
From Renaissance to Modernism: Design Conventions of Italian Maiolica in the Ceramic Output of the Bloomsbury Group, Abigail Mansfield
From Visibility to Value: How Can Digital Art Achieve Long-Term Legitimacy in the Contemporary Artworld?, Ziyuan Wang
GalleriaX: A Hybrid Digital Platform for Art, Technology, and Community, Catherine Wu
Gender, Feminism, and Market Dynamics: Examining Gender and Feminism in the Art Market Through Two Female Chinese Artists, Hung Liu (劉虹) and Yu Hong (喻红), Amelia Campbell-Breeden
Gillian: All About Art, Michelle Gillian Khadzhynov (Kabo)
Global Art: An Economic Exploration of the Factors Driving Sensible Gallery Expansion, James McLennan
He Rengao Super-Consciousness Imagery, a global touring exhibition, Jun Dong
How have Emil Nolde’s Political Biographies Impacted his Market, from ‘Weimar Degenerate’ and ‘Dissident’, to ‘Complicit Antisemite’?, Samuel Goodwin-Hudson
Illuminating Absences: Gender, Recognition, and the Light and Space Movement, Emily Kopp
Imagining the Inuit: Myth, Market, and the Making of the Contemporary Inuit Sculpture Canon, Kristen Sara Davidson-Schwartz
Institutional Legitimation and Artistic Value in Portuguese Contemporary Art, Constança Maria Lobo de Castro Afonso
Integrating the Oriental Gaze: Japonisme and Kitagawa Utamaro’s Influence in the Parisian Art World of the Late 19th Century, Wanda Irini Goudas
Intersections We Have Played With: From Chris Burden to Street Takeovers, Tadeo Itarte Nusser
John Singer Sargent’s Ladies in White: Identity, Atmosphere, and Society, 1883-1892, Esmé Benjamin
John Singer Sargent: Technique, The Muse and Patronage, Clare McCaleb
Laws, Looting, and Legitimate Trade: The Effectiveness of the ICC at Prosecuting Cultural Heritage Crimes from an Art Market Perspective, Kassidy Houlihan
Luxury Café Concept for Mindful Indulgence in Central London: Business Plan for Tranquille House, Chelsea Hsiao
Making the Invisible Visible: How Contemporary Artists Depict the Climate Crisis Through Visual and Conceptual Strategies, Isabella Ray
Marc Chagall and the Jewish Experience: A Personal Modernism in the Parisian Avant-Garde, Samantha DeSanctis
Merchants of Style: Art and Fashion after Warhol, Natasha Degen
Milan as a Future Art Capital: Opportunities and Limitations within the European Art Landscape, Camilla Zoe Nicelli
Modernity à la mode: Popular Culture and Avant-Gardism in Erik Satie's "Sports et divertissements", Mary E. Davis
Modernizing the Sacred: The Church’s Growing Relationship with Modernism and Salvador Dalí’s Renaissance, Emma Mandia
Monique Prieto, Morgan Falconer
Negotiating Independence and Representation: The Role of Galleries in Shaping Emerging Artists’ Careers in London, Filippo Fazzini Matteucci
Neither Innocent Nor Illicit: Breaking the Gaze in Lisa Yuskavage’s Candy-Colored World, Kristin Kiley
Objective Chance, Convulsive Beauty and The Marvelous within Fashion, Ellen Silva
On Dark Skinned Jesus of Nazareth: Why Color Matters, Nicholas Berkel
On Liminality: Rachel Whiteread & Archiving the In-Between, Natalie Emmerman
Outside/In: Views of the Contemporary Self, Kristina Andersson
Packaging Sound: The Artistic and Cultural Significance of Album Covers in the Golden Age of Vinyl, Anna Stener
Painting Lesson: Hantaï and His Critics, Ágnes Berecz
Paul Poiret: Inventing Modern Luxury, Mary E. Davis
Performing American Identity: Neoclassical Chair Design from Europe to New York, Nia Harper
Persona: The Art of Self-Expression, Almog Shimer
Playing in the Field: Carrie Mae Weems Exploration of Black Mobility, Through Diasporic, Temporal, and Visual Movement, Tobi Alexandra Falade
Reason and Metamorphosis: Nicolas Poussin’s Visual Reinterpretation of Ovid’s Apollo and Daphne, Larissa de Thomaz de Bossièrre
Reconstructing the Surreal: Female Artists and the Transformation of Surrealist Aesthetics, Erin Regan
Representation and Cross-Cultural Mediation of Contemporary Ink Art in New York’s Primary Art Market: A Case Study of FQM Gallery, Mengtian Melody Yang
Restoring La Sistina: Recreating Raphael’s Tapestries, Isabelle Wilder Turgeon
RM Sotheby’s Construction of Value in the High-end Car Market, Pablo Mijares Musi
Size Matters: How Physical Scale Is (or Is Not) Rewarded in a Global, Ultra-Contemporary, Online Art Market, Odd Halvdan Sakse Orstavik
Spain Represents Only 1%: Visibility and Value of Spanish Contemporary Art in the Global Market, Maria Alonso Martinez
SPARKS: A Love Story, Stacey Kramer
Sponge Nuggets, Thea Wang
Steeped in Home: The Art of Inuit Domestic Life, Ruairi Smith
Tax as Curator: Tax Incentives and the Mediation of Acquisition in UK Museums, Julia Dalton
The Art of Engagement: A Study of Digital Marketing Strategies in Leading Contemporary Galleries, Fidan Abdullayeva
The Art World Ecosystem and the Evolution of Art Criticism Toward A New Practicality, Julia Blasius Williams
The Collapse of the New Tendencies: How Did a Movement That Never Existed Cease to Exist, Tonka Protega
The Cultural Adaptation of Abstract Expressionism in the Middle East, Solmaz Shoukohi
The Emergence of the Dutch Republic as a Grand Tour Destination, Boele van Oosten
The Evolution of the Gallery System: Causes, Consequences, and the Future of Art Collecting, Amalswintha Oppelt
The Flavor of Marketing: How Food is Revolutionizing Luxury Brand Communication, Aloisa Ruf
The History and Significance of the Korean Pavilion at the Venice Biennale, Yaejin Sung
The Influence of Art Advisors on High-Net-Worth Individuals (HNWIs) in Art Investment Decisions, Vera Berman
The Language of Value: Lot Note Complexity and Auction Performance in Abstract Expressionism, Artur Sharifullin
The Lost Art of Club Photography: Capturing NYC’s Nightlife and Cultural Legacy from the 1980s to the 1990s, Madeleine M. Canfield
The Marketability of the Muse: Understanding the Valuation of Muse-Artists on the Contemporary Market, Mairi Alice Dun
The Peoples of the Pomegranate: Identifying Commonalities Between Diasporic Art Market Successes to Inform Broader Business Strategy, Jacob Hopkins
The Politics of Refusal: The 1969 São Paulo Bienal Boycott and the Role of Art Under Authoritarianism, Lara Barbosa
The Postmodern Frontier: Richard Prince and the Neoliberal Spectacle of the American Dream, Taïs Khassanova
The Price of Partnership: Examining the Market Success of Single Female Artists and the Siphoning of Women’s Creative Energy in Heterosexual Relationships, Octavia Akoulitchev
The Role of Art Collectors in the Global Market: Thyssen-Bornemisza Collection, Anastasia Yuzhilina
The Spiritual and Emotional Impact of Color in Luis Barragán’s Convento de las Capuchinas Sacramentarias, Ivana Martin
The Sustainable Business Model: The Hybrid Teahouse-Gallery, Shuyao Huang
The Untold Art History of Grillz: An Introduction Exhibition at the ICA, Helena Opuama
Timing vs. Patience: A Comparative Study of "Flipping" and "Buy and Hold" Strategies in Art Collecting, Yingying Xu
Touchstones: Lucy Lippard's Overlay and the Politics of Prehistory, Morgan Falconer
Towards a Sustainable Art World: The Essential Role of Sustainability Leads in the Arts and Cultural Sector, Isobella Win Richings
To What Extent Can Scent Enhance, Translate and Democratise Contemporary Art Exhibitions, While Simultaneously Creating Mutual Commercial Benefit?, Cosima Davenport
Transmission/Reception, Ma'ayan Noy
Uncovering the Keystone: Case Study of the UBS Art Collection Gift, Loan and Contemporary Voices Exhibition at MoMA in 2005 - Twenty Years Later, Maria Glikman Yamarakov
Unmaking the Anthropocene: Colonial Violence, Racial Visuality, and Extractive Capitalism, Jiwon Ko
Unpacked Suitcases and Containers, Gabriel Broodthaers
“What is In Vogue?” A Critical Study of Photography, Psychology, and Power in Vogue Magazine, Hannah Eve Osinoff
When Fine Art and Commercial Art Merge: A Playbook for Emerging Artists Without Gallery Representation to Create Successful and Sustainable Careers, Regina Escobedo Guerra
Women Art Dealers and the Making of SoHo, Anna Castellini
Woven Climates: Textile Art as Resistance and Ecological Practice, Hana Agolli