Date of Award

2026

Document Type

MA Project - Restricted Access (SIA Only)

Project Type

MA Project - Curatorial Proposal

Degree Name

Master of Arts (MA)

Department

Art Business

First Advisor

Leo Krakowsky

Second Advisor

Morgan Falconer

Abstract

Suitcases and containers are more than just practical storage tools. Could these mass-produced tools be transformed into a mobile memory archive, revealing how globalisation both destroys and preserves cultural identity? From Marcel Duchamp’s playful critique of established norms to Wim Delvoye’s satirical provocations, suitcases & containers have been reimagined as transformative and influential works of art that captivate audiences and inspire artists. These objects are a recurring motif in art history. The starting point for Unpacked Suitcases & Containers is Duchamp's ‘de ou par Marcel Duchamp ou Rrose Sélavy (La Boîte-en-valise)’ (see Fig. 1 in Appendix A), which he began making in 1935 and completed the first edition in 1941. It has significantly impacted an entire generation of artists, including those participating in the exhibition.  Marcel Broodthaers and Gabriel Orozco have also utilised suitcases in their sculptures in their distinctive ways. For example, Marcel Broodthaers takes “an ordinary utilitarian object, a suitcase, and deprives it of its function, redefining it as an art object.”  Unlike previous baggage surveys, Unpacked Suitcases & Containers explores themes of globalisation and cultural identity using suitcases and containers across various artistic periods since the 1940s. This show unpacks these symbolic objects by exploring what they represent across different periods & geographies. It will create a space for learning and reflection, highlighting the lasting endurance of suitcases & containers. Why now? This is one of the key questions concerning what makes the exhibition indispensable today. The idea that most humans currently live in a "borderless world of virtual connectivity” is fading, as evidenced by the global resurgence of nationalism. This trend can be seen in the growing tensions between left-wing and right-wing groups worldwide. Therefore, it is essential to be informed about the fluctuations in the rise and decline of nationalism over time before jumping to conclusions on what is to blame for this issue. Globalisation is arguably the most significant factor contributing to this rise in nationalism, and it is therefore no coincidence that this topic has been among the most discussed and analysed by journalists and statisticians in recent years. While news and statistics are valuable tools that help understand a problem or phenomenon from a broad and general perspective, they cannot translate lived experiences into form. Containers and suitcases, as art objects, can do exactly that, while also helping the viewer learn about the themes explored.  This proposed exhibition will explore the chronological development of conceptual art through various artistic phases, addressing emerging challenges posed It will showcase established artists who interpret this theme by transforming various types of suitcases and containers through their distinctive creative perspectives. Examining the show’s themes from multiple viewpoints is vital for helping visitors understand the complex relationship between globalisation and cultural identity. Featuring artists from diverse regions worldwide is essential, highlighting the global distribution of origins across countries such as Belgium, Germany, France, Mexico, Vietnam and Cuba. Marian Goodman Gallery has expressed interest in the show and will review this completed proposal before giving approval. The exhibition is scheduled to open at Marian Goodman Gallery in Tribeca, New York, on October 24, 2027, and will run until December 14, 2027.

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Available for download on Thursday, February 01, 2029

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