Author

Date of Award

2026

Document Type

Dissertation - Restricted Access (SIA Only)

Degree Name

Master of Arts (MA)

Department

Art Business

Abstract

As China’s economic influence expands, it has become one of the three largest regions in the global art market. Yet much academic discourse still relies on Euro-American models of “free capital markets,” which inadequately capture the institutional complexity of non-Western contexts. Mainland China and Hong Kong represent two distinct systems—one state-led, the other a liberal free-port economy—that increasingly function in complementarity under the “one country, two systems” model.

This study examines their institutional divergence and strategic interdependence. Hong Kong’s low taxation, transparency, and capital mobility contrast with the Mainland’s policy-driven growth and state-backed cultural investment. The research provides a comparative framework for collectors, investors, and institutions to optimise cross-border strategies, mitigate structural frictions, and identify areas for collaboration. It also shows how institutional asymmetry can foster synergy and strengthen cultural coordination. By mapping the structural logic underpinning this relationship, the dissertation contributes to cultural economics and the strategic understanding of interconnected art systems.

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