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Theses/Dissertations from 2023

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The Evolution of Marketing Tools at Auction Houses. Case: The Last Leonardo, Margherita Magnino

Theses/Dissertations from 2022

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The art market’s inflection point: the inception of modern art investment, Maria B. Abraham

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Lauder Art Collections: Two Brothers, Two Collections, One City, Carol Bradford Abruzzo

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The Influence of the American Film Noir on Fine Arts in Los Angeles, Paige Berlin

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The Private Art Collector’s Foundation in France: Issues and Implications for the Cultural Landscape, Milena Berman

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Paris is Always a Good Idea: Study into Paris’ Potenial to Regain a Place at the Top of the European Art Market, Laura Bishai

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‘What A Woman Can Do:’ Analyzing Correlation between Historiography of Italian Female Artists and Auction Prices, Paige Boucher

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Beyond Conversation to Acquisition: What Museums are Purchasing and Why: The Impact of Contemporary Discourses on the Canon of Art, Karen Budgor

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Selling Transcendence: The Rise of Experience and the Big Business of Immersive Art, Emeline Callaway

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The Printmaking Boom and its Effect on the Future for the Market for Prints and Multiples, Helen H. Condo

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How NFTs Are Driving the Latest Evolution of Art from Physical to Digital in a Pandemic Age., Isabel Dominguez de Haro

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Looking South: The Increased Visibility of Modern Latin American Art, Sofía Festa

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A Eurocentric Model: The Metropolitan Museum of Art’s Westernization of the “Other”, Chloe Greisman

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The Paradox of Scarcity: A Look at the Old Masters Evening Sales from 2014 to 2022 in London and New York, Erin Haydon

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The Search for a Quintessentially French Style: The Reactionary Nationalism of French Art Nouveau (1890 – 1900), Bailey Johnston

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Aboudia: a new generation artist from Côte d’Ivoire, Richard Montoux

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Linda Nochlin Finding Feminism: Early Education to Early Career, Natalie Parent

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History of Fashion Installations as Art Exhibitions and Their Impact on the Public’s Perspective on Culture and Community, Arabella Riley

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Lucretia Van Horn: The Artist’s Meaningful Impact on the Development of Modernism in the Bay Area, Annie K. Roddy

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Valuations Achieved at the Sale of Royal Jewels from the Bourbon Parma Family, Reka Szterenyi

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Impediments to Art Market Growth: Understanding Germany’s Disproportionately Small Art Market Share, Anthony von Steuben

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Factors behind the successful positioning of Mexico City as an International Contemporary Art Center, Alma Roberta Zertuche Cantu

Theses/Dissertations from 2021

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Antiquities and the Art Market: Forever Divided or Will Ancient Art Find Its Place in an Evolving Contemporary Art Market?, Yvette Abiuso

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The Cottages That Almost Were Not Saved: A Preservation Perspective on Three Newport Mansions, Julia Boron

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Perspectives on Consciousness-Raising: A Modernist Intersectional Feminist Agenda, Ariana Cacoulidis

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The Melancholy of Misunderstanding: An analysis of Marcel Duchamp’s Effects on the Development of Art in Conversation with Contemporary Artist Urs Fischer, Elizabeth Chander

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Revisiting Appropriation in Contemporary Art: Art and Law Analysis, Won Sun Choi

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The Durability of Authenticity: An Examination of the Art Conservator’s Role in Preserving Authenticity, Emily Crozier

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The Brave New Virtual Art World The Evolution of Digital Art: NFTs and their Effects on the Art Market in 2021, Sophie Delaplaine

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The Impact of French Auction Regulatory Policies on the Art Market ——Take the Development of Paris Drouot in Nineteenth-Century as an Example, Youyou Dong

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The Therapeutic Value of Art, Alexandra Eagle

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Contemporary Textiles: Unraveling White Feminist Discourse, Meredith Friedman

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Walter De Maria: The pursuit to defye time, Whitney Hart

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The Retrospection and Prospection of Contemporary Feminist Art in China, Li Hou

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Value of NFTs in the Digital Art sector and Its Market Research, Su Yeon Jeong

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NFT — Friend or Foe of Today’s Art Market?, Anna Maria LaGuardia

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The Influence of Zen on Contemporary Aesthetics in Decorative Arts and Interior Design, Ronit Lee

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Why Be a Great Women Artist When You Could Be Spectacular: The Study of Women Old Masters in the Art History Canon Through Art Market Bias, Zoë Mahler

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Risk Management for Small and Mid-Sized Contemporary Art Galleries in the United States, Lauren Pappas

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Bertha Palmer and Anna Wintour: How Does Private Patronage Impact Identity-Building within Cultural Institutions?, Marie Redetzki

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More Than Just Middlemen: The Legacy and Influence of Art Dealers Joseph Duveen, Peggy Guggenheim and Leo Castelli on Shaping Art Collections, Valencia Tong

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An Analysis of Immersive Art Experiences, Adele Whitmyer

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Yokai Ukiyo-e: ExploringAesthetics of Monsters in Japanese Ukiyo-e, Ranshanzi Xiao

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The Role of Art Hotels in the Art Ecosystem, Nicola Ziman

Theses/Dissertations from 2020

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The Art of Healing: The effects and importance of art in hospitals and clinical settings, Olivia Adamaitis

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Analysis of the Relation Between Trauma and Art as a Result of Context and Purpose with The Holocaust as a Subject Matter, Robert Bandeen

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Threading the Future : Contemporary fiber in the global, Erin Choi

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Hilma af Klint's Divine Commission, Paintings for the Temple : Modern western esotericism embodied and art historical norms redfined, Hilary Cianciolo

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Helen Frankenthaler : The calculus for gender neutrality within the post abstractionist color field movement, Aelxandra H. Dodge

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Appalling Aftermath : The idealization of sympathy in battle paintings of the Great Siege of Gibraltar, Sean F. Galvin

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De-Orientalizing Classical Ballet in the Twenty-First Century, Pamela Gendron

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On the Fluidity of Honey and Fugitivity of Sound in Trauma, Ecstasy, and Black Radical Tradition, Evgenia Grant

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The Reckoning that Seized Museums from The Aesthetic : How novel iterations of anti-neutrality activism condemned institutionalized white supremacy while misconstrued as cancel culture, Emily Griffin

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Thoughts around the Psychological Attributes of Fascist Aesthetics, Carolina Mimi King

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Re-thinking Risk Management of Auction House Guarantees and Third-Party Irrevocable Bids, Nathan Krasnick

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For Those in Peril on the Sea : The motivations of nineteenth century European artists to create shipwreck paintings, Calvin Liepins

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Radical Queer Gazes : How lesbian and nonbinary contemporary photographers are destabilizing the male gaze, Eliza McDonough

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Role of Art in International Relations : Analysis of the key operational patterns on the example of French cultural cluster, Maria Meshcherskaya

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How Fat-Positive Art Asserts Validity in the Face of Social Erasure, Humiliation & Objectification of the Fat Female Nude, Elizabeth Powell

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Collectors Beware: A glimpse into the high-risk, high-reward world of antiquities and its dark underbelly, Claire M. Purcell

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Business Interrupted : COVID-19 and its impact on auction houses, Carolina Sagardoy

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The Reemergence of Celebrity Imagery in Twenty-First Century Art, Maria Olsson Skalin

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Relational Accountability in the Art Business : A study of ethics, Theodore Soliman

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The Old Masters Market and the Salvator Mundi: What did it do, what can be done?, Mary Sullivan

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The Art of Marketing Luxury, Aiho Tan

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Terrible Beauty : The many faces of Helen of Troy in painting from antiquity to the nineteenth century, Lindsay M. Taylor

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“Whose Utopia?” Kimsooja & Bottari Utopia, Younghee Kim Wait

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The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen, Sara Sims Wilbanks

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Reappraising the Rococo : The enduring relevance of eighteenth-century French painting, Emma M. Woodberry

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From Spectacle to Collectible : A reappraisal of Katherine Dreier and Juliana Force's pioneering impact to bolster the ascendancy of Modern Art in America, Caroline Holt Yarbrough

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The Development of the Jewelry Industry under the Patronage of the Russian Imperial Court in the XIX-XX Centuries, Julia Zubko

Theses/Dissertations from 2019

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Evolving Ethics: Deaccessioning from Museum Collections in the Twenty-First Century, Julia Baker

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Story of Twin Cities, Who Will be the Next Storm Center of Art Fairs?, Rui Bian

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Museum Websites and Restitution: Rediscovering Holocaust-Era Objects in the Digital Age, Gabriella Bloom

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Small, Yet Mighty: The Influence of a Famous Figure Provenance on Commonplace Objects in Single Owner Sales, Shannon Brown

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Private Art Museum backed by Hong Kong Invetment - Wan Fung Art Musem as an Example, Yiye Chen

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The Demand for Women Who Painted: Recent Art Market Trends for Female Artists of the Premodern Era, Cristina Demiany

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Digitization of Future Art Market through Blockchain Technology, Yuan Fang

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The Celebrity Factor: An Evaluation of the Effect Celebrity Provenance at Auction, Danielle Gray

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Land Art : True Capitalist Art, Annie Gustafsson

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What are the challenges of establishing the Fair Market Value (FMV) of Guggenheim Founding Collection? If the transparency of an asset value is possible on Non-Profit Financial Year Report, how can the FMV preserve the continuity of public art patronage, in spite of, deaccession artwork from the Guggenheim’s collection being sold on the auction market?, Leng Ho

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Contemporary Methods of Preserving Land Art: A Case Study of Robert Smithson's Spiral Jetty, Samara Johnson

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Artist Frames: A Lost History Tracking the Innovations of Discarded Visions, Isabella Leokadia Kapczynski

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Study of Dansaekhwa’s Identity through Analysis of its Criticisms, Ji Hyun Kim

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The Role of the Curator in Curated Auctions, through the Lens of Sotheby’s Examples, Elizaveta Klimko

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A Study on the Commercial Promotion Mode of Contemporary Young Artists in China Taking Art Nova 100 as an Example, Han Le

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Development and Brand Management of Chinese Contemporary Furniture in the Twenty-first Century, Jiaying Li

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teamLab Research, Chinchen Liu

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What Made Vincent Van Gogh a Great Artist?, Yuanting Lu

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Double-edged Experiences and Their Impact on the Twenty-First-Century Audience: The Ever-Evolving Museum, Ana Sanz Menchero

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AMRITA SHER-GIL: Painting Beyond Boundaries, Rupi Sood

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History and International Market for Russian Avant-Garde Art, Ekaterina Tsareva

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From Micro to Marco: Jade Snuff Bottles in Qianlong Era, Jinpeng Wang

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The Artistic Merit and Market Price of Bosch’s Paintings, Xiaoou Wang

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Chinese Audience’ Perception and Interests in Western Modern Arts, Xuewei Wang

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The Explosion Development of Chinese Contemporary Art Market from 2000 to 2015, Yaning Wang

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The Role of Independent Curators in the Contemporary Art Exhibitions, Yiru Wang

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Research on the Operation and Management of Foreign-funded Galleries and Local Galleries in China, Yumeng Wu

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The Gallery Industry in China – A Study, Ziwei Xia

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How does contemporary artists consolidate their success and achievements through social media platform such as Instagram? : Case study of successful co-existing relationship developed between contemporary artists Ai Weiwei and KAWS with their Instagram account, Rouchen Yao