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Theses/Dissertations from 2018

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How Do You Depict the Life of a Soul?: Word and Text in and as Image in Soviet Nonconformist Art, Matthew Blong

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Moral Rights: The Economic Ramifications of Moral Rights Under VARA in the U.S., Akilah Chandler

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Chuck Close: The Cost of Behaving Badly, and #Metoo, Rebecca Cohen-Homapour

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The Glass Ceiling: Female Artists' Gallery Representation in the New Millennium and a History of Imbalance, Caroline Currier

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From the Academy to the Marketplace: An analysis of New York and London Fine Art Schools' Responses to the Market in Pedagogy and Curricula, Adelaide Dunn

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Diversity and Inclusion in Art Museum Board of Governance: Does The Boardroom Reflect the Community?, Margaret Farrell

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Current Issues in the Conservation of Contemporary Art and its Non-traditional Materials, Sandra Hong

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High or Low? The Value of Transitional Paintings by Jackson Pollock, Willem de Kooning, and Mark Rothko, Monica Peacock

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The Rococo Revival in Contemporary Porcelain, Ariel Senackerib

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The "Whys" of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context, Constantine Prince Sidamon-Eristoff

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French Wallpaper Decors: Papiers Peints in Homes of the American South, Christine Speare

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Protest of Controversial Art in New York City Museums in 2017-2018: Reactions, Responses, and Legal/Ethical Obligations of Museums in the Age of #MeToo, #BlackLivesMatter, and Activism on the Internet., Isabel Telonis

Theses/Dissertations from 2017

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We Were There, We Are Here: Queer Collections and Their Repositories and Legacies, Alexandria Deters

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The Capitalist-Marxist Dichotomy within the Hudson River School: Conceptualizing American Property through the Career of Worthington Whittredge (1820-1910), Astrid Tvetenstrand

Theses/Dissertations from 2014

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The Effect Street Art has on Gentrification: A case study of Miami’s Wynwood Arts District, Bianca Gonzalez

Theses/Dissertations from 2011

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An Investigation into How Greater financial Stability Can Be Achieved for Portugal’s National Museums Under Management of The Portuguese Institute of Museums and Conservation (IMC), Luis Ramos Pinto