Theses/Dissertations from 2025
VALUING THE FILIPINO IDENTITY IN THE LOCAL PHILIPPINE ART SCENE: NATIONALISM AND THE PHILIPPINE CORE VALUES THROUGH AMORSOLO, ZÓBEL AND BENCAB, Michaela Maria Geraldine Eduque
Take Shrigley’s Word for It, Mary Gurley
East Meets West: Korean Modern Art’s Emergence in the Global Art Scene, Yu Jin Hwang
The Categorisation of Different Periods in Indian Art & the Market’s Role, Devashi Jain
Theses/Dissertations from 2024
Marisol Escobar: What happened to Marisol Escobar?, Leon Levy Blohm
The Great Mess of Auction Catalogues, Hector Yuyang Chen
Pearls of Power: Navigating Empire and Kingship in the Nineteenth Century in Qing Dynasty China and Victorian England, Jinrui Chen
A Comparative Analysis of Shanghai’s and Hong Kong’s Art Market Post Pandemic, Weiran Chen
Shaping a Sustainable Tomorrow: Envisioning the Future of the Art World for Cultivating an Environmentally Friendly Globe, Dylan DeGraff
An Analysis on the Philippine Art Market: History, Factors, and Practices Influencing its Present Art Economy, Sara de Ocampo
Bouguereau’s Vampires: Navigating Transgressive Desire in Dante et Virgile, Angelina Diamante
Art and the Brain: An Interdisciplinary Journey Through its Multifaceted Dimensions, Bianca Di Donna
Standardizing Records: Library Cataloging versus the Museum, Chiara Di Muccio
Envisioning Dynamic Cultural Platforms: Strategic Integration of Contemporary Art in Japan's Socio-Economic Landscape, Shota Hachisako
When Divergent Worlds Collide: Dr. Santiago Ramón y Cajal’s Influence on the Surrealism Movement, William J. Hardman III, MD
The Unconscious Mind: Psychoanalysis and Art, Carlie Hoffer
Warhol Uncovered: From Byzantium to Pop, Kassandra Ibrahim
Analyzing Communication and PR Strategies in the Korean Art Market, Se Hyun Kim
“How did Guernica become the important painting and the universal symbol it is today?", Or Lebel
From East to West: The Impact of Chinese Artists on the French Art Scene and Vice Versa, Sarah Lee
A Rising Tide Lifts All Boats: Cultural Capital and Corporate Strategy within the Korean Art Market, Stephen Lee
Redefining Exhibition in the Digital Ecosystem: Case study on teamLab’s Immersive Art Experience, Josephine Ng
The Socio-Political Barriers that Make Art Restitution an Impossible Enterprise in Hungary, Natalia Pakh
Transcendent Boundaries: the Impact of Art Festivals on Rural Revitalization in East Asia, Yili Peng
A Critical Analysis of Burgeoning Artificial Intelligence Trends Through the Lens of Contemporary Art, Crawford Peyton
The Case of the Euphronios Krater: Issues of Provenance and Recommendations for Cultural Heritage Institutions, Elizabeth A. Reedy
The Effects of AI Image Synthesis on Graphic Design, Ji Ren
The market for Winston Churchill’s paintings: An exploration of history, politics, provenance, and friendships, Arabella Repard
Evolving Artscape: The Role of the Contemporary Art Market in Saudi Arabia’s Socio-Economic Transformation, Lucrezia Boissier Rossanigo
Navigating Boundaries: Challenges and Strategies in Exhibiting Brazilian Art Globally, Bruna Ribeiro Schnor
Paths to The Abstraction: Kandinsky and Rothko, Vera Schueler
Reinterpreting the Original: How Appropriation Shapes the Way We View Art and its Icons., Cailin Shannon Sung
Ethical Dilemmas in Art Advisory Services: Navigating Influence in the Art Market, Noah G. Tyler
The Development and Impact of Jingdezhen’s Ceramic Live Streaming, Yiyi Wang
Digital Reproduction: The Degradation of Art Viewership, Zoe Wallis Weingarten
Towards Sustainable Exhibition Practices: Assessing and Enhancing Sustainability in Art Exhibitions, Cato Wong
The Impact of AI in Gaming Industry, Huang Xiaorong
“I Can Do That”: Conceptualism in the Digital Age, Nan Jane Xiong
Himalayan Murals, Himalayan Buddhist Murals: Styles, Symbolic Themes and Historical Evolution, Jiazhen Zhang
Theses/Dissertations from 2023
Bank art advisory: American v. Italian, Gloria Cavaciuti
Analysis on the Overseas Market Performance of Porcelain and Its New Situation in the Context of Global COVID-19 Epidemic, Tianxiang Chen
Lost Innocence: Women, Power, and Art in Victorian England, Jia Jing Ding
Manifesting Magic: Occultism and Feminism in the Art of Leonora Carrington and Remedios Varo, Margaret Dirschl
The Controversy of the Female Nude Body within Performance Art of the 1960s and 1970s, Jennifer Fialkowski
The Women of Impressionism: The Influence of Berthe Morisot, Mary Cassatt, and Eva Gonzalès on the Art Market, Caroline Finden
Would you rather be the head of a lion or the tail of a mouse? A comparative study of the art markets in London and New York, Clio Giner Garcia
Djurberg & Berg: A Relationship Saga, Johanna Graflund
Becoming Asia’s Next Art Hub: A Reflection on the Rise of the Contemporary Korean Art Market, Jihyun Hur
Monumentality of the Artist Chapel: Dissecting Light, Color, Spirituality, and Permanence, Katherine Isler
Present and Future of Impact Investing in Arts: Catching Momentum, Olga Korneeva
On Curation: A Hermeneutical Approach, Elisabeth Yumin Kröber
The Evolution of Marketing Tools at Auction Houses. Case: The Last Leonardo, Margherita Magnino
Black Lives Matter & Contemporary African American Art: An Auction market analysis., Montserrat Miranda Ayejes
Artists in Legacy-Land: Endowing Foundations to Balance Market and Philanthropic Activity, Lucas Mischler
Collecting an Empire: Stolen Heritage of Indigenous Australians, Kyla Moore
From Exclusivity to Ambiguity: Rethinking Contemporary Ink Art and its Methodology, Ruqin Mu
The Artist as Surveillant: The Use of Surveillance Technology in Contemporary Art, Claire O'Neill
Art Investment Funds and NFTs, Francesca Osborne
The Impact of the Fashion Industry in 19th Century Paris on Impressionist Painting, Puja Patel
The Application and Impact of Digital Technology in Jewelry Art, Lai Tai
State of the Arts: The Contemporary Arts Ecosystem in the Republic of Ireland, Clare Tayback
The Wave of Digital Revolution: New Trends in the Emergence, Participation, and Presentation of Metaverse Art, Zijian Zhang
Spirituality and Abstract Art, Hao Zheng
Theses/Dissertations from 2022
The art market’s inflection point: the inception of modern art investment, Maria B. Abraham
Lauder Art Collections: Two Brothers, Two Collections, One City, Carol Bradford Abruzzo
The Influence of the American Film Noir on Fine Arts in Los Angeles, Paige Berlin
The Private Art Collector’s Foundation in France: Issues and Implications for the Cultural Landscape, Milena Berman
Paris is Always a Good Idea: Study into Paris’ Potenial to Regain a Place at the Top of the European Art Market, Laura Bishai
‘What A Woman Can Do:’ Analyzing Correlation between Historiography of Italian Female Artists and Auction Prices, Paige Boucher
Selling Transcendence: The Rise of Experience and the Big Business of Immersive Art, Emeline Callaway
The Printmaking Boom and its Effect on the Future for the Market for Prints and Multiples, Helen H. Condo
How NFTs Are Driving the Latest Evolution of Art from Physical to Digital in a Pandemic Age., Isabel Dominguez de Haro
Looking South: The Increased Visibility of Modern Latin American Art, Sofía Festa
A Eurocentric Model: The Metropolitan Museum of Art’s Westernization of the “Other”, Chloe Greisman
The Paradox of Scarcity: A Look at the Old Masters Evening Sales from 2014 to 2022 in London and New York, Erin Haydon
The Search for a Quintessentially French Style: The Reactionary Nationalism of French Art Nouveau (1890 – 1900), Bailey Johnston
Aboudia: a new generation artist from Côte d’Ivoire, Richard Montoux
Linda Nochlin Finding Feminism: Early Education to Early Career, Natalie Parent
History of Fashion Installations as Art Exhibitions and Their Impact on the Public’s Perspective on Culture and Community, Arabella Riley
Lucretia Van Horn: The Artist’s Meaningful Impact on the Development of Modernism in the Bay Area, Annie K. Roddy
Valuations Achieved at the Sale of Royal Jewels from the Bourbon Parma Family, Reka Szterenyi
Impediments to Art Market Growth: Understanding Germany’s Disproportionately Small Art Market Share, Anthony von Steuben
Factors behind the successful positioning of Mexico City as an International Contemporary Art Center, Alma Roberta Zertuche Cantu