Date of Award
2025
Document Type
Thesis - Open Access
Degree Name
Master of Arts (MA)
Department
Contemporary Art
First Advisor
Morgan Falconer
Second Advisor
Judith Prowda
Abstract
This study examines the evolution of art collecting in India, from royal patronage to modern practices shaped by socio-political and economic changes. It highlights the ancient tradition of art– serving spiritual, cultural, and political purposes, evolving through colonial influences that introduced Western aesthetics and private collecting. Post-independence, collecting in India became a means of reclaiming cultural identity, marked by movements like that of the Progressive Artists' Group. Three collections illustrate the diversity of contemporary Indian collecting- the personal collection of Kiran Nadar and the Kiran Nadar Museum of Art focusing on public engagement and modern Indian art; Vinay Sheth’s private, encyclopaedic collection preserving historical traditions; and Abhishek Bagri’s contemporary approach, emphasizing personal connection over trends. This essay explores how economic liberalisation, globalisation, and digital access have expanded the art market while raising tensions between financial motives and cultural preservation. It underscores the critical role of collectors and museums in bridging India's artistic heritage and modern narrative.
Recommended Citation
Mehta, Muskaan, "Art Collecting In India Through The Ages" (2025). MA Theses. 230.
https://digitalcommons.sia.edu/stu_theses/230
Included in
Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Arts Management Commons, Asian Art and Architecture Commons, East Asian Languages and Societies Commons, Other History of Art, Architecture, and Archaeology Commons