Emma Howard

Date of Award

2025

Document Type

Thesis - Open Access

Degree Name

Master of Arts (MA)

Department

Art Business

First Advisor

Betsy Thomas

Second Advisor

Agnes Berecz

Abstract

This thesis explores the intertwined histories of artistic legacy, cultural impact, and market reception of female photographers, who have often been decentered in art history and overshadowed by male contemporaries. While photography has historically been more inclusive to women than other art forms, women photographers have nonetheless faced marginalization in the canon of photography history and the art market. Building on efforts to reclaim and elevate the contributions of women photographers, this research integrates art historical and market analyses to provide a holistic understanding of their careers and legacies. Through detailed case studies, this thesis examines the artistic practices, biographical contexts, and symbolic contributions of three female photographers – an immigrant portraitist, a New York street photographer, and a nomadic documentary photographer. By analyzing their artistic output alongside their market performance, including auction results, retail trends, and institutional support, this study highlights both their cultural importance and the persistent undervaluation of their work in the broader market. The research also identifies key barriers, such as limited historical sales records, lack of comprehensive institutional visibility, and biases against women’s contributions to the medium. Ultimately, this thesis aims to fill gaps in existing scholarship by offering a nuanced perspective on the dual legacies of these women as artists and market players. By recentering their work in both art historical and market narratives, this research contributes to the ongoing effort to correct historical imbalances and recognize women’s vital role in shaping the history of photography.

Download

Share

COinS