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Theses/Dissertations from 2018 2018

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The Rococo Revival in Contemporary Porcelain, Ariel Senackerib

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Giuseppe Panza as Curator: New Methods of Display, Francesca Serraino

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The "Whys" of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context, Constantine Prince Sidamon-Eristoff

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French Wallpaper Decors: Papiers Peints in Homes of the American South, Christine Speare

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Protest of Controversial Art in New York City Museums in 2017-2018: Reactions, Responses, and Legal/Ethical Obligations of Museums in the Age of #MeToo, #BlackLivesMatter, and Activism on the Internet., Isabel Telonis

Theses/Dissertations from 2017 2017

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We Were There, We Are Here: Queer Collections and Their Repositories and Legacies, Alexandria Deters

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The Capitalist-Marxist Dichotomy within the Hudson River School: Conceptualizing American Property through the Career of Worthington Whittredge (1820-1910), Astrid Tvetenstrand

Theses/Dissertations from 2011 2011

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An Investigation into How Greater financial Stability Can Be Achieved for Portugal’s National Museums Under Management of The Portuguese Institute of Museums and Conservation (IMC), Luis Ramos Pinto