Theses/Dissertations from 2019
No Words: A Three-part Analysis of Xu Bing’s Book from the Sky, Zheng Yuan
Theses/Dissertations from 2018
For the Sake of Art: The Intersection Between Animal Rights and Freedom of Speech, Joelle Araujo
How Do You Depict the Life of a Soul?: Word and Text in and as Image in Soviet Nonconformist Art, Matthew Blong
Moral Rights: The Economic Ramifications of Moral Rights Under VARA in the U.S., Akilah Chandler
Comparative analysis on a corporate sponsorship for art museums in Korea and the United States, Hayoung Chung
Chuck Close: The Cost of Behaving Badly, and #Metoo, Rebecca Cohen-Homapour
The Glass Ceiling: Female Artists' Gallery Representation in the New Millennium and a History of Imbalance, Caroline Currier
Diversity and Inclusion in Art Museum Board of Governance: Does The Boardroom Reflect the Community?, Margaret Farrell
Phenomenal Encounters: Perception as Medium in Art from Minimalism to the New Millennium, Ella Froelich
Current Issues in the Conservation of Contemporary Art and its Non-traditional Materials, Sandra Hong
Modern and Contemporary Female Expressions in the Islamic Art World, Zahra R. Karimi
Old Dog, New Tricks: Incentivizing price data disclosure in private art market sales, Eliza G. King
Behind the Scenes: The Role of Visual Art in Prestige Television, Lauren Lichtenberg
Museum Provenance and its Financial Impact: The Analysis of Museum Deaccessioning and the Value of Art, Kwoung jin Maeng
Hybridity, Subversion & Anthropophagy: Revisiting Colonial History in Brazilian Contemporary Art, Maria Eduardo Dittmar Silveira Nonato
High or Low? The Value of Transitional Paintings by Jackson Pollock, Willem de Kooning, and Mark Rothko, Monica Peacock
Mistreating a Cultural Symbol: How We Are Failing Museums, Wonder Woman, and Everything in Between, Brandon Reis
Marketing Artists in the Digital Age, Victoria Rutledge
The Rococo Revival in Contemporary Porcelain, Ariel Senackerib
Giuseppe Panza as Curator: New Methods of Display, Francesca Serraino
The "Whys" of the Grand Cameo: A Holistic Approach to Understanding the Piece, its Origins and its Context, Constantine Prince Sidamon-Eristoff
French Wallpaper Decors: Papiers Peints in Homes of the American South, Christine Speare
Theses/Dissertations from 2017
We Were There, We Are Here: Queer Collections and Their Repositories and Legacies, Alexandria Deters
The Capitalist-Marxist Dichotomy within the Hudson River School: Conceptualizing American Property through the Career of Worthington Whittredge (1820-1910), Astrid Tvetenstrand