Content Posted in 2023 | Digital Commons @ SIA | Sotheby's Institute of Art Research

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Content Posted in 2023

A Business Plan: Yao Chain, Yao Lu

Analysis of the Integration of high-tech Virtual Technology to improve the audience's experience: Taking China Exhibition Hall as Examples, Zizhou Guo

Analysis on the Overseas Market Performance of Porcelain and Its New Situation in the Context of Global COVID-19 Epidemic, Tianxiang Chen

ART.ID: The 3rd Generation of Collection Management, Ben Rickert

Artificial Minds, Lara Bayer

“Art Interactive China” – An Art Competition and Retail Business in Beijing, Shen Qin

Art Investment Funds and NFTs, Francesca Osborne

Artists in Legacy-Land: Endowing Foundations to Balance Market and Philanthropic Activity, Lucas Mischler

Artlanta: The art scene in Atlanta. Isn’t it obvious?, Claire Jones

Art-M Advisors, Aitana Iglesias

ArtPro 2023 Business Plan for the New Art Project "Artist Ecological Service", Fang Yang

At the Still Point: Home, Qingxia Lin

Bank art advisory: American v. Italian, Gloria Cavaciuti

Becoming Asia’s Next Art Hub: A Reflection on the Rise of the Contemporary Korean Art Market, Jihyun Hur

Black Lives Matter & Contemporary African American Art: An Auction market analysis., Montserrat Miranda Ayejes

Business plan for the "之间Space", Qian Zhang

Business Plan: MetaMuse, Yiyao Li

Cló Collection, Emma Molson

Coexist: the Art of Design: A Curatorial Project on Chinese Contemporary Collectable Design, Zhan Yu

Djurberg & Berg: A Relationship Saga, Johanna Graflund

Effectively Preparing Art Students for Artistic Careers: A Study on Art Schools’ Relation to the Art Market and their Approaches to Preparing Students for Career Navigation, William Stewart

From Exclusivity to Ambiguity: Rethinking Contemporary Ink Art and its Methodology, Ruqin Mu

if ART, Ruoyi Feng

“I’ve Been Working My Ass Off For You To Make That Profit”: Fundamental Information for The Self-Advocation of Emerging Artists, Layne Hubble

Keith Haring and Jean-Michel Basquiat: Visionaries of the Legendary Art Movement of the Eighties in Downtown, New York City, Ritu Cipy

Live-Art: A Business Plan of a Start-up for Art Education and Art Collection, Chuzhe Wang

Lost & Found, Minji Choi and MyeongKyo Kim

Manifesting Magic: Occultism and Feminism in the Art of Leonora Carrington and Remedios Varo, Margaret Dirschl

Monumentality of the Artist Chapel: Dissecting Light, Color, Spirituality, and Permanence, Katherine Isler

NOMAD Gallery, Maria Paula Suárez and Renata Ribeiro

Non-Human Entities, Jiaqi Liang

On Curation: A Hermeneutical Approach, Elisabeth Yumin Kröber

Practical Application of Relational Aesthetics: Business Plan of Ever Summer Art Camp, Weijia Kong

Present and Future of Impact Investing in Arts: Catching Momentum, Olga Korneeva

SIA X SALTZ: Art is Life, Jerry Saltz

Spirituality and Abstract Art, Hao Zheng

State of the Arts: The Contemporary Arts Ecosystem in the Republic of Ireland, Clare Tayback

The Application and Impact of Digital Technology in Jewelry Art, Lai Tai

The Artist as Surveillant: The Use of Surveillance Technology in Contemporary Art, Claire O'Neill

The Controversy of the Female Nude Body within Performance Art of the 1960s and 1970s, Jennifer Fialkowski

The Impact of the Fashion Industry in 19th Century Paris on Impressionist Painting, Puja Patel

The Wave of Digital Revolution: New Trends in the Emergence, Participation, and Presentation of Metaverse Art, Zijian Zhang

The Women of Impressionism: The Influence of Berthe Morisot, Mary Cassatt, and Eva Gonzalès on the Art Market, Caroline Finden

(Un)Orthodox Orient, Su Ergeneli

Would you rather be the head of a lion or the tail of a mouse? A comparative study of the art markets in London and New York, Clio Giner Garcia