Content Posted in 2023
A Business Plan: Yao Chain, Yao Lu
Analysis on the Overseas Market Performance of Porcelain and Its New Situation in the Context of Global COVID-19 Epidemic, Tianxiang Chen
Art and the Brain: An Interdisciplinary Journey Through its Multifaceted Dimensions, Bianca Di Donna
ART.ID: The 3rd Generation of Collection Management, Ben Rickert
Artificial Minds, Lara Bayer
“Art Interactive China” – An Art Competition and Retail Business in Beijing, Shen Qin
Art Investment Funds and NFTs, Francesca Osborne
Artists in Legacy-Land: Endowing Foundations to Balance Market and Philanthropic Activity, Lucas Mischler
Artlanta: The art scene in Atlanta. Isn’t it obvious?, Claire Jones
Art-M Advisors, Aitana Iglesias
ArtPro 2023 Business Plan for the New Art Project "Artist Ecological Service", Fang Yang
At the Still Point: Home, Qingxia Lin
Bank art advisory: American v. Italian, Gloria Cavaciuti
Becoming Asia’s Next Art Hub: A Reflection on the Rise of the Contemporary Korean Art Market, Jihyun Hur
Black Lives Matter & Contemporary African American Art: An Auction market analysis., Montserrat Miranda Ayejes
Business plan for the "之间Space", Qian Zhang
Business Plan: MetaMuse, Yiyao Li
Childhood: the Hidden Side, Arcelia Gómez
Cló Collection, Emma Molson
Coexist: the Art of Design: A Curatorial Project on Chinese Contemporary Collectable Design, Zhan Yu
Collecting an Empire: Stolen Heritage of Indigenous Australians, Kyla Moore
Djurberg & Berg: A Relationship Saga, Johanna Graflund
From Exclusivity to Ambiguity: Rethinking Contemporary Ink Art and its Methodology, Ruqin Mu
if ART, Ruoyi Feng
Live-Art: A Business Plan of a Start-up for Art Education and Art Collection, Chuzhe Wang
Lost & Found, Minji Choi and MyeongKyo Kim
Lost Innocence: Women, Power, and Art in Victorian England, Jia Jing Ding
Manifesting Magic: Occultism and Feminism in the Art of Leonora Carrington and Remedios Varo, Margaret Dirschl
Memory in a Modern World, Olivia Oberoi
Monumentality of the Artist Chapel: Dissecting Light, Color, Spirituality, and Permanence, Katherine Isler
NOMAD Gallery, Maria Paula Suárez and Renata Ribeiro
Non-Human Entities, Jiaqi Liang
On Curation: A Hermeneutical Approach, Elisabeth Yumin Kröber
Practical Application of Relational Aesthetics: Business Plan of Ever Summer Art Camp, Weijia Kong
Present and Future of Impact Investing in Arts: Catching Momentum, Olga Korneeva
Revolution and Revelation: An Early Russian Avant-Garde Private Collection, Olivia A. Aurtenechea Eguiron
Royal Nomad, William Tomita
SIA X SALTZ: Art is Life, Jerry Saltz
Sledgehammer, Alexander Gardner
Sleep, Anna Peftieva
Spirituality and Abstract Art, Hao Zheng
State of the Arts: The Contemporary Arts Ecosystem in the Republic of Ireland, Clare Tayback
The Application and Impact of Digital Technology in Jewelry Art, Lai Tai
The Artist as Surveillant: The Use of Surveillance Technology in Contemporary Art, Claire O'Neill
The Controversy of the Female Nude Body within Performance Art of the 1960s and 1970s, Jennifer Fialkowski
The Impact of the Fashion Industry in 19th Century Paris on Impressionist Painting, Puja Patel
The Wave of Digital Revolution: New Trends in the Emergence, Participation, and Presentation of Metaverse Art, Zijian Zhang
The Women of Impressionism: The Influence of Berthe Morisot, Mary Cassatt, and Eva Gonzalès on the Art Market, Caroline Finden
(Un)Orthodox Orient, Su Ergeneli
UNTAMED: The terrifying beauty behind the works of woman Surrealists, Shely Calderon Benpalti
Would you rather be the head of a lion or the tail of a mouse? A comparative study of the art markets in London and New York, Clio Giner Garcia