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    Content Posted in 2023

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    A Business Plan: Yao Chain, Yao Lu

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    Analysis of the Integration of high-tech Virtual Technology to improve the audience's experience: Taking China Exhibition Hall as Examples, Zizhou Guo

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    Analysis on the Overseas Market Performance of Porcelain and Its New Situation in the Context of Global COVID-19 Epidemic, Tianxiang Chen

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    ART.ID: The 3rd Generation of Collection Management, Ben Rickert

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    Artificial Minds, Lara Bayer

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    “Art Interactive China” – An Art Competition and Retail Business in Beijing, Shen Qin

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    Art Investment Funds and NFTs, Francesca Osborne

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    Artists in Legacy-Land: Endowing Foundations to Balance Market and Philanthropic Activity, Lucas Mischler

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    Artlanta: The art scene in Atlanta. Isn’t it obvious?, Claire Jones

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    Art-M Advisors, Aitana Iglesias

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    ArtPro 2023 Business Plan for the New Art Project "Artist Ecological Service", Fang Yang

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    At the Still Point: Home, Qingxia Lin

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    Bank art advisory: American v. Italian, Gloria Cavaciuti

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    Becoming Asia’s Next Art Hub: A Reflection on the Rise of the Contemporary Korean Art Market, Jihyun Hur

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    Black Lives Matter & Contemporary African American Art: An Auction market analysis., Montserrat Miranda Ayejes

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    Business plan for the "之间Space", Qian Zhang

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    Business Plan: MetaMuse, Yiyao Li

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    Cló Collection, Emma Molson

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    Coexist: the Art of Design: A Curatorial Project on Chinese Contemporary Collectable Design, Zhan Yu

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    Djurberg & Berg: A Relationship Saga, Johanna Graflund

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    Effectively Preparing Art Students for Artistic Careers: A Study on Art Schools’ Relation to the Art Market and their Approaches to Preparing Students for Career Navigation, William Stewart

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    From Exclusivity to Ambiguity: Rethinking Contemporary Ink Art and its Methodology, Ruqin Mu

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    if ART, Ruoyi Feng

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    “I’ve Been Working My Ass Off For You To Make That Profit”: Fundamental Information for The Self-Advocation of Emerging Artists, Layne Hubble

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    Keith Haring and Jean-Michel Basquiat: Visionaries of the Legendary Art Movement of the Eighties in Downtown, New York City, Ritu Cipy

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    Live-Art: A Business Plan of a Start-up for Art Education and Art Collection, Chuzhe Wang

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    Lost & Found, Minji Choi and MyeongKyo Kim

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    Manifesting Magic: Occultism and Feminism in the Art of Leonora Carrington and Remedios Varo, Margaret Dirschl

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    Monumentality of the Artist Chapel: Dissecting Light, Color, Spirituality, and Permanence, Katherine Isler

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    NOMAD Gallery, Maria Paula Suárez and Renata Ribeiro

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    Non-Human Entities, Jiaqi Liang

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    On Curation: A Hermeneutical Approach, Elisabeth Yumin Kröber

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    Practical Application of Relational Aesthetics: Business Plan of Ever Summer Art Camp, Weijia Kong

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    Present and Future of Impact Investing in Arts: Catching Momentum, Olga Korneeva

     

    SIA X SALTZ: Art is Life, Jerry Saltz

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    Spirituality and Abstract Art, Hao Zheng

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    State of the Arts: The Contemporary Arts Ecosystem in the Republic of Ireland, Clare Tayback

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    The Application and Impact of Digital Technology in Jewelry Art, Lai Tai

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    The Artist as Surveillant: The Use of Surveillance Technology in Contemporary Art, Claire O'Neill

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    The Controversy of the Female Nude Body within Performance Art of the 1960s and 1970s, Jennifer Fialkowski

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    The Impact of the Fashion Industry in 19th Century Paris on Impressionist Painting, Puja Patel

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    The Wave of Digital Revolution: New Trends in the Emergence, Participation, and Presentation of Metaverse Art, Zijian Zhang

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    The Women of Impressionism: The Influence of Berthe Morisot, Mary Cassatt, and Eva Gonzalès on the Art Market, Caroline Finden

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    (Un)Orthodox Orient, Su Ergeneli

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    Would you rather be the head of a lion or the tail of a mouse? A comparative study of the art markets in London and New York, Clio Giner Garcia

 
 
 

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