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Digital Commons @ SIA

    Content Posted in 2020

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    A Body of Work, Ali Edelson

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    AltArt, Hannah Nashman

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    AMRITA SHER-GIL: Painting Beyond Boundaries, Rupi Sood

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    Apatheia: A Business Plan for a Fine Art and Design Gallery in New York City, Luyao Ma and Jialiu Jiang

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    Art@Ararat: An Artist Residency Program in Ashtarak, Republic of Armenia, Lara Arslanian

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    ArtBeez Application, Han Sol Lee

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    Art From Scratch, Abigail Cohen and Nicole Garnett

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    Artist Frames: A Lost History Tracking the Innovations of Discarded Visions, Isabella Leokadia Kapczynski

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    A Study on the Commercial Promotion Mode of Contemporary Young Artists in China Taking Art Nova 100 as an Example, Han Le

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    Behind the Scenes: The Role of Visual Art in Prestige Television, Lauren Lichtenberg

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    Business Plan: Articipate With Me Podcast, Olya Voronetskaya

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    Butterfly Effect: The Lupus Exhibition and Auction, Gillian Smith

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    Casa Medici Business Plan, Lydia Wang

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    Chinese Audience’ Perception and Interests in Western Modern Arts, Xuewei Wang

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    ClipBoard: Art & Project Management Podcast, Job Tibay

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    Comparative analysis on a corporate sponsorship for art museums in Korea and the United States, Hayoung Chung

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    Connecting New Generation of Art Collectors in China SOART -- A Digital Enabled Art Platform, Belinda WeiBin Sui

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    Contemporary Methods of Preserving Land Art: A Case Study of Robert Smithson's Spiral Jetty, Samara Johnson

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    Development and Brand Management of Chinese Contemporary Furniture in the Twenty-first Century, Jiaying Li

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    Digitization of Future Art Market through Blockchain Technology, Yuan Fang

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    Double-edged Experiences and Their Impact on the Twenty-First-Century Audience: The Ever-Evolving Museum, Ana Sanz Menchero

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    Evolving Ethics: Deaccessioning from Museum Collections in the Twenty-First Century, Julia Baker

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    For the Sake of Art: The Intersection Between Animal Rights and Freedom of Speech, Joelle Araujo

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    From Micro to Marco: Jade Snuff Bottles in Qianlong Era, Jinpeng Wang

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    Gallery K : Business Plan, Shane Shenghan Kong

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    Giuseppe Panza as Curator: New Methods of Display, Francesca Serraino

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    Hardware Softwear & Self: A Touring Gallery and Boutique for Fashion Curating as a Multidisciplinary Collaboration, Yuqing Finn Leong Liang

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    History and International Market for Russian Avant-Garde Art, Ekaterina Tsareva

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    How does contemporary artists consolidate their success and achievements through social media platform such as Instagram? : Case study of successful co-existing relationship developed between contemporary artists Ai Weiwei and KAWS with their Instagram account, Rouchen Yao

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    Humanizing the Tattoo: Looking Beyond the Skin's Surface, Julia Schuckman

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    Hybridity, Subversion & Anthropophagy: Revisiting Colonial History in Brazilian Contemporary Art, Maria Eduardo Dittmar Silveira Nonato

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    Land Art : True Capitalist Art, Annie Gustafsson

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    La prevalenza delle donne: I problemi di una professione femminile, Maria Sancho-Arroyo

     

    Made in Native America® Studio Tour with Virgil Ortiz, Virgil Oritz, Christine Kuan, and Monica Buckle

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    Marketing Artists in the Digital Age, Victoria Rutledge

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    Market Value Analysis of Takashi Murakami's Artwork Under Howard Becker's theory, Liu Yi-Ding

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    MCF Mangrove Night Charity Auction, Conglin Yan

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    Mistreating a Cultural Symbol: How We Are Failing Museums, Wonder Woman, and Everything in Between, Brandon Reis

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    Modern and Contemporary Female Expressions in the Islamic Art World, Zahra R. Karimi

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    Moratoria antibirus: un grande passo verso la sopravvivenza dei musei americani, Maria Sancho-Arroyo

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    Museum Provenance and its Financial Impact: The Analysis of Museum Deaccessioning and the Value of Art, Kwoung jin Maeng

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    Museum Websites and Restitution: Rediscovering Holocaust-Era Objects in the Digital Age, Gabriella Bloom

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    Non conviene ma conviene: Ogni museo decide per sé, Maria Sancho-Arroyo

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    No Words: A Three-part Analysis of Xu Bing’s Book from the Sky, Zheng Yuan

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    Old Dog, New Tricks: Incentivizing price data disclosure in private art market sales, Eliza G. King

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    Palette : A Contemporary Art Web Series Featuring Women Artists of Color Working Within Their Creative Spaces Around the Globe, Alena Marajh

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    Phenomenal Encounters: Perception as Medium in Art from Minimalism to the New Millennium, Ella Froelich

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    Phoenix Fine Art Business Plan, Ruomu Freda Li

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    Private Art Museum backed by Hong Kong Invetment - Wan Fung Art Musem as an Example, Yiye Chen

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    "Relationship" - An art bookstore in Macau, Keer Kang

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    Research on the Operation and Management of Foreign-funded Galleries and Local Galleries in China, Yumeng Wu

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    Small, Yet Mighty: The Influence of a Famous Figure Provenance on Commonplace Objects in Single Owner Sales, Shannon Brown

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    Sotheby’s Summer Institute Pre-College Orientation, Kay Chubbuck, Tim Goossens, Cristina Demiany, Laura Salvatore, Alisa Bayes, and Allegra Smith

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    Story of Twin Cities, Who Will be the Next Storm Center of Art Fairs?, Rui Bian

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    Study of Dansaekhwa’s Identity through Analysis of its Criticisms, Ji Hyun Kim

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    Subversive Stitch, Kimberly Reinagel

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    teamLab Research, Chinchen Liu

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    The Artistic Merit and Market Price of Bosch’s Paintings, Xiaoou Wang

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    The Celebrity Factor: An Evaluation of the Effect Celebrity Provenance at Auction, Danielle Gray

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    The Demand for Women Who Painted: Recent Art Market Trends for Female Artists of the Premodern Era, Cristina Demiany

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    The Explosion Development of Chinese Contemporary Art Market from 2000 to 2015, Yaning Wang

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    The Gallery Industry in China – A Study, Ziwei Xia

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    The Museum of Coffee An Experiential Museum. In Partnership with Italian coffee company: Illy, Giuliana la Monaca

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    The Role of Independent Curators in the Contemporary Art Exhibitions, Yiru Wang

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    The Role of the Curator in Curated Auctions, through the Lens of Sotheby’s Examples, Elizaveta Klimko

     

    Tim Schneider, Artnet, in Conversation with Christine Kuan, Sotheby’s Institute of Art, Tim Schneider and Christine Kuan

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    TINYx: A Traveling Pop Up Exhibition Space and Nonprofit Community Arts Organization, Shannon Olsen

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    UBS Corporate Art Collection Study, Chongwei Yi

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    What are the challenges of establishing the Fair Market Value (FMV) of Guggenheim Founding Collection? If the transparency of an asset value is possible on Non-Profit Financial Year Report, how can the FMV preserve the continuity of public art patronage, in spite of, deaccession artwork from the Guggenheim’s collection being sold on the auction market?, Leng Ho

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    What Made Vincent Van Gogh a Great Artist?, Yuanting Lu

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    Why Visual Art Could Train Brains in Leadership, and How, Qiao Ye

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    Without Walls, Lauren A. Grigoletti

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    Wonder-Art & Co, Adele Xiao Liu

 
 
 

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