Lisa Low

Date of Award

2024

Document Type

MA Project - Restricted Access (SIA Only)

Project Type

MA Project - Curatorial Proposal

Degree Name

Master of Arts (MA)

Department

Art Business

First Advisor

Lawrence Motz

Second Advisor

Agnes Berecz

Abstract

This exhibition will be a solo show of American abstract expressionist artist Tobi Kahn. Kahn is a painter, sculptor, and installation artist living and working in New York City. He was born in 1952 and received his bachelor's degree from Hunter College in 1975. He later earned his Master of Fine Arts from Pratt Institute in 1978. Kahn began his art career as a photographer and has used photographs as the basis for all of his artworks. While his artwork is heavily influenced by his Jewish heritage and spirituality, he is also a great admirer of nature and the natural world–specifically flowers and trees, the physical human form, and landscapes. The breadth of his work covers these topics and many more. Memory and indelible impressions branded into his soul are the foundation for all of his artistic creations. He is known for his use of color and texture, and his work often incorporates materials such as gold leaf, natural pigments, and stone. Kahn’s art has been exhibited in many galleries and museums including The Jewish Museum, the Smithsonian American Art Museum, and the Tokyo Metropolitan Museum of Art. He has received numerous awards and grants for his work including a National Endowments for the Arts Fellowship and a Pollock-Krasner Foundation Grant. He has a very large collector base and has been commissioned to create both large- and small-scale pieces for individuals as well as institutions. He has enjoyed many solo and group shows during his 40-year-plus career. In addition to his work as an artist, Kahn is also a teacher and lecturer and has taught at numerous institutions including the School of Visual Arts in New York and the Jerusalem Studio School in Israel. My personal story with Tobi began many years ago when he was a struggling young artist and I was an adolescent with a desire to learn how to paint. I was fortunate enough to join an after-school program at our synagogue in New Jersey, where Tobi was hired to teach a group of students the fundamentals of drawing, sketching, and painting. Little did I know that this experience would shape my journey in significant ways. Fast forward to years later, when I crossed paths with Tobi's gallerist in Florida. I couldn't believe that the established artist she represented was the same person who had once been my teacher. It felt like a fortuitous reunion, and we quickly rekindled our friendship. As time went on, my admiration for Tobi's artistic talent only grew, and I became one of his dedicated collectors. Tobi often describes our connection as a "full circle moment," and I couldn't agree more. From being his former student to now curating one of his shows, it is a testament to the impact he had on my life. His mentorship and guidance were instrumental in my decision to study Art Business at the master's level. 1 Having a front-row seat to witness Tobi's artistic evolution has been incredibly gratifying and educational. It's a dream come true to be able to curate a show for an artist who has played such a pivotal role in my life. The opportunity allows me to showcase Tobi's incredible body of work and contribute to the narrative of his artistic journey. This experience has only deepened my appreciation for Tobi's talent, creativity, and dedication. It is a privilege to share his art with others and play a role in shaping the legacy of such an important figure in the art world. I plan to curate an actual show in New York City in late January, February, or March of 2024. The exact date will be determined based on Tobi's schedule and the availability of a suitable location. Tobi has distinct specifications for his exhibitions, particularly regarding lighting and other details that must be adhered to. I have been in close communication with Tobi to ensure his availability for the exhibition. We are working together to find a timeframe within the aforementioned months that aligns with his schedule and allows for ample time to prepare for the show. Finding the right venue is a crucial aspect of curating this exhibition. I have been scouting potential locations throughout New York City, considering factors such as the space layout, lighting options, and logistical aspects that are important to Tobi. It is essential to settle on a venue that meets his artistic vision and can accommodate his specific requirements. Tobi is very particular about lighting, as it plays a significant role in the presentation of his artwork. I am collaborating closely with him to ensure that his desired lighting conditions are met. Apart from the artistic aspects, I will handle the logistical aspects of the exhibition. This includes organizing the transportation of artworks, overseeing the installation process, and coordinating signage, promotional materials, and social media. A successful exhibition relies on effective marketing and promotion. I am developing a comprehensive strategy to generate excitement and attract a diverse audience to the show. This includes social media posts, possible press releases, and targeted invitations to art enthusiasts, collectors, and the broader public. Curating this exhibition for Tobi is an incredible honor and an exciting opportunity. I am dedicated to executing his vision and creating an immersive experience for visitors. By paying meticulous attention to his specifications and collaborating closely with him, I am confident that we will create a successful show in New York City that reflects the depth and uniqueness of Tobi's artistic talent. While Tobi has had many shows focused on a specific series, he has never had a show that showcases multiple series at the same time. In addition, he has many never-before-seen pieces from his archives that he would like to display at this exhibit. Emanations will introduce the public to between four and six pieces

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