Submissions from 2023
Touchstones: Lucy Lippard's Overlay and the Politics of Prehistory, Morgan Falconer
Submissions from 2020
La prevalenza delle donne: I problemi di una professione femminile, Maria Sancho-Arroyo
Moratoria antibirus: un grande passo verso la sopravvivenza dei musei americani, Maria Sancho-Arroyo
Non conviene ma conviene: Ogni museo decide per sé, Maria Sancho-Arroyo
Submissions from 2019
Verrocchio (grande) sconosciuto, Maria Sancho-Arroyo
Submissions from 2018
Austin and Form into Spirit: Ellsworth Kelly’s Austin, Eric Michael Wolf
Submissions from 2017
A Voice of America, Maria Sancho-Arroyo
Submissions from 2014
7 Lessons Learned for Digital Culture, Christine Kuan
The Perils of Buying and Selling Art at the Fair: Legal Issues in Title, Judith Prowda
Submissions from 2013
Between War and Politics: International Relations and the thoughts of Hannah Arendt, Ágnes Berecz
The Art of Resolving Art Disputes: A Case for Mediation, Judith Prowda
Submissions from 2011
Disobedient Video in France in the 1970s: Video Production by Women’s Collectives, Stephanie Jeanjean
Submissions from 2008
Painting Lesson: Hantaï and His Critics, Ágnes Berecz
Submissions from 2002
Monique Prieto, Morgan Falconer
Submissions from 1999
Modernity à la mode: Popular Culture and Avant-Gardism in Erik Satie's "Sports et divertissements", Mary E. Davis
Submissions from 1996
L'utilisation au musée des equipment à eclairs electroniques, Maria Sancho-Arroyo